Student
|
A |
1 |
Taming of the Shrew: 2.1.180-325; 4.1.120-178; 4.5.1-78; 5.2.136-180 |
Kate |
Strong and witty woman who agrees at the end to be ruled by a man |
Katie |
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2 |
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Petruchio |
Witty guy who trains Kate like a dog |
Kristina |
|
A |
3 |
Midsummer Night’s Dream: 3.1 (whole scene) |
Bottom |
Blue-collar guy, bit of a loser, who wakes up with ass’s ears on his head |
Robert |
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4 |
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Titania |
A goddess who, under a spell, falls for Bottom |
Brandi |
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5 |
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Puck |
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Andrea |
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B |
6 |
Merchant of Venice: 3.1.23-130;) |
Shylock |
The tormented Jew who now has his chance to exact revenge |
Don |
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7 |
4.1.184 (quality of mercy) |
Portia |
Woman portraying a male lawyer; delivers a famous speech on mercy |
Meghan |
|
A |
8 |
Much Ado about Nothing: 2.1.56-65; 2.3.6-35; 2.3.88-end scene; 3.1.35-end scene |
Beatrice |
Swears against marriage, especially that rascal, Benedict |
Colleen |
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9 |
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Benedict |
Swears against marriage, especially that hothead, Beatrice |
Jordan |
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10 |
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1 of 2 friends |
Tricks B and B into loving each other |
Laurie |
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11 |
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1 of 2 friends |
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Rachelle |
|
A |
12 |
Henry IV,part 1,: 2.4.113-140; 5.1.125-141; 5.3.56-61; 5.4.111-165; HenryIV, part 2:4.3.86-125; 4.5.41-65 |
Falstaff |
Overweight drunkard whose wit makes him the close friend of the boy king |
Jesse |
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13 |
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Prince Hal |
A wild guy before he has to turn serious and become the next king |
Ryan |
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14 |
Henry V: 4.3.18-66 |
Henry V |
Prince Hal grows up and gives inspiring speeches to his troups |
Randy |
|
A |
15 |
Romeo and Juliet: 2.2.whole scene |
Romeo |
Young boy in love |
Jim (?) |
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16 |
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Juliet
|
Young woman in love |
Julie |
|
B |
17 |
Julius Caesar: 3.1.111-113; 3.2.72-107; 4.3.218-221 |
Antony |
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Carlo |
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18 |
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Caesar |
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Jay |
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19 |
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Brutus |
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Nate |
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B |
20 |
Hamlet: 2.2.530-604; 3.1.55-87 |
Hamlet |
The man who must avenge his father’s murder |
Chad |
|
B |
21 |
King Lear: 1.1.36-119; 3.7.28-94 |
Lear |
Old king who is losing his mind and the allegiance of his daughters |
Heather Jones |
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22, 23, 24 |
|
3 daughters |
One is honorable and the other 2 are deceptive |
Amanda, Heather Thomas, Michelle |
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25 |
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Gloucester |
Friend of Lear who gets his eyes plucked out |
Josh |
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B |
26 |
Macbeth: 1.4.37-54; 5.5.15-28 |
Macbeth |
Murderer with a conscience |
Patrick |
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27 |
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Lady Macbeth |
Murderess without a conscience |
Janelle |
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B |
28 |
Tempest: 1.2.320-364; 4.1.145-165;5.1.33-57; epilogue |
Caliban |
A cannibal, a barbarian, an earth creature |
Catherine |
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29 |
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Prospero |
Wise man whose final words about the stage suggest the end of Shakespeare |
Rory |
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30 |
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Ariel |
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Liz |
|
A |
31 |
Antony and Cleopatra |
Antony |
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Rose |
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32 |
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Cleopatra |
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Miriam |
Others: 12th Night
What I have in mind: Take your role and present it to us. This presentation can be as elaborate or as primitive as you want: a stage scene in which you’ve memorized your lines and are wearing a costume, or you can just stand up and read your lines from index cards. You can videotape it; you can perform it live on the Dogwood stage or out in the forest. Anything is fine. My intention here is simply to expose us to the full range of Shakespearean plays and to have fun and to get us up on our feet.
Dates: February 14th have an “A” in the left margin;
February 16th have a “B” in the left margin.
Note: If these scenes take longer than I anticipate, then we’ll push them to the following week. Right now I’m allocating about 10-15 minutes per play.